Daniel Pellerin has worked in sound and music post production for film and television for the past 32 years, as recording and re-recording mixer/ engineer, sound design and music supervisor/ editor. For the past 16 years, he has specialized in mixing, editing and music supervising in digital 5.1 audio format for film, presently utilizing the most current digital technology, specializing in HD productions that heavily rely on CGI content.
He has been nominated for 11 Genie Awards for which he has won three (Atom Egoyan’s THE SWEET HEREAFTER, Istvan Szabo’s SUNSHINE and Clement Virgo’s LOVE COME DOWN) and 16 Gemini Awards, for which he has won two (MUSICIANS IN EXILE and UNDER THE PIANO). Hot Doc Awards for Sound include Nettie Wild’s A PLACE CALLED CHIAPAS and Ric Bienstock’s EBOLA: INSIDE AN OUTBREAK. Daniel won a 2014 Canadian Screen Award for his work on Tim Wolochatiuk’s WE WERE CHILDREN. Throughout his career, he has mixed all of Atom Egoyan’s feature films. He has also supervised and mixed the sound for many of Bruce MacDonald’s and Clement Virgo ‘s feature films, as well as Deepa Mehta on her feature film, Heaven on Earth and Istvan Szabo’s feature films Sunshine and Being Julia.
Daniel was supervisor of sound design and mix master on Nina’s last documentary film project, The Ghosts In Our Machine a film by Liz Marshall.